Instead, the combination causes severe clipping distortion. One of the biggest mistakes I hear when receiving improperly mastered stems is when the combination of all stems doesn’t sound like a finished master. Let’s look at this in greater detail to understand it better. The reason being, these stems will be exported individually, meaning that they’d be affected differently by the stereo output’s processing then we processed creatively. To perform stem mastering, the processing used should not be performed on the stereo output, but instead, used on each stem. These are the stems you’ll use for your stem mastering session. When combined, these stems should nearly perfectly or perfectly resemble your full stereo mix. Solo the stem you want to bounce and export it. If you’re making a movie, or you have some music that you’d like mastered for a movie or other form of visual media, send it to us here: The reason this distinction should be made is due to how the varying equipment used in classic and modern movies differ in their respective processing and final execution. One more thing to consider is that we’ll use the term ‘Film’ in its more common definition – so it won’t be used to describe actual film-based recordings and the classic equipment used to create film recordings, but movies in general. We’ll also consider how loud the final video should be based on how it gets distributed, be it through YouTube, in theaters, or over Netflix. We’ll discuss how loud a music master should be if it’ll be distributed on video, and, how to route your mastering session (using stem mastering) in a way that will ultimately best accommodate a video creator.įurthermore, we’ll discuss how compression and dynamic range will play a larger role than normal when mastering music for visual media. We’ll consider how an engineer should prepare music masters that they’re sending to other video creators, as well as consider how to master the audio of a video if you’re the video creator.ĭespite the connection between the two perspectives listed above, the processes for each are wildly different, so it’s important to make this distinction. To cover this topic in a comprehensive way, we’ll look at it from two perspectives. Mastering music for film and video is different than mastering music regularly.
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